Video reblogged from Notebook Number Four with 2 notes
[Flash 10 is required to watch video]Lullabies - @yunamusic Live at the Boom Boom Room, NY. SIGH. TOO LOVELY FOR WORDS.
Source: notebooknumberfour
Photo reblogged from The New Yorker with 943 notes
Well, I can’t get on board the hate train, especially after last week’s tour-de-force episode, in which Liz morphed from a crazy old subway lady (every New Yorker’s dream: she gets her way at every turn) into Heath Ledger’s Joker. Someone needs to speak up for the Lemon, and for the Fey. Because from the beginning Liz Lemon was pathetic. That was what was enthralling, and even revolutionary, about the character. Unlike some other adorkable or slutty-fabulous characters I could name, Liz only superficially resembled the protagonist of a romantic comedy, ready to remove her glasses and be loved. She was something way more interesting: a strange, specific, workaholic, NPR-worshipping, white-guilt-infected, sardonic, curmudgeonly, hyper-nerdy New Yorker. In the first episode, Jack nails her on sight as “a New York third-wave feminist, college-educated, single-and-pretending-to-be-happy-about-it, over-scheduled, undersexed, you buy any magazine that says ‘healthy body image’ on the cover and every two years you take up knitting for … a week.” Even Liz had to admit he scored a point.
- There’s been a backlash to “30 Rock” this season, particularly the character of Liz Lemon; which is why you should read the rest of Emily Nussbaum’s impassioned 1,700-word defense of her: http://nyr.kr/xDdxKc
Source: newyorker.com
Video reblogged from The New Yorker with 357 notes
The Art of the Meryl Streep Acceptance Speech
But the real reason I’m in the tank for Streep is simple: I want to see her acceptance speech. The Meryl Streep acceptance speech is an art unto itself: elegant, loopy, cunningly self-aware, and impeccably delivered—in short, everything you expect from a Meryl Streep performance, condensed to three minutes. Where else can you see fake humility, fake gratitude, and fake spontaneity delivered with such aplomb? Take her 2004 Emmy win, for “Angels in America”:
From her trademark breathy sigh (translation: “Gee, they just keep giving me these things”) and her droll opening line—”There are some days when I myself think I’m overrated … but not today”—this speech is a gem: funny, faux-scatterbrained, and self-consciously grand. When the orchestra tries to play her off, not only does she sing along to the music, she uses it as inspirational underscoring as she thanks Tony Kushner.
- Michael Schulman on the history of Meryl Streep acceptance speeches, and why she should win the Oscar for “Iron Lady”: http://nyr.kr/xEteYM
Source: newyorker.com
Photo reblogged from Ladies Eating Burgers with 18 notes
how cool are these shoes?
Source: whatthehipster
Photo reblogged from Telegrams from Downton with 285 notes
HAHAHAHAHAHAHAHA
Source: telegramsfromdownton
Photoset reblogged from The Use of My Creation with 8 notes
also, these dresses.
Source: conjunctionofplanets
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