26th April 2012

Video reblogged from Notebook Number Four with 2 notes

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notebooknumberfour:

Lullabies - @yunamusic Live at the Boom Boom Room, NY. SIGH. TOO LOVELY FOR WORDS.

Source: notebooknumberfour

14th March 2012

Photo reblogged from lies with 2 notes

zllm:

Detention? Meh, no problem. 
[video]

zllm:

Detention? Meh, no problem. 

[video]

Source: zllm

24th February 2012

Photo reblogged from The New Yorker with 943 notes

newyorker:

In Defense of Liz Lemon

Well, I can’t get on board the hate train, especially after last  week’s tour-de-force episode, in which Liz morphed from a crazy old  subway lady (every New Yorker’s dream: she gets her way at every turn)  into Heath Ledger’s Joker. Someone needs to speak up for the Lemon, and  for the Fey. Because from the beginning Liz Lemon was pathetic. That was  what was enthralling, and even revolutionary, about the character.  Unlike some other adorkable or slutty-fabulous characters I could name,  Liz only superficially resembled the protagonist of a romantic comedy,  ready to remove her glasses and be loved. She was something way more  interesting: a strange, specific, workaholic, NPR-worshipping,  white-guilt-infected, sardonic, curmudgeonly, hyper-nerdy New Yorker. In  the first episode, Jack nails her on sight as “a New York third-wave  feminist, college-educated, single-and-pretending-to-be-happy-about-it,  over-scheduled, undersexed, you buy any magazine that says ‘healthy body  image’ on the cover and every two years you take up knitting for … a  week.” Even Liz had to admit he scored a point.


- There’s been a backlash to “30 Rock” this season, particularly the character of Liz Lemon; which is why you should read the rest of Emily Nussbaum’s impassioned 1,700-word defense of her: http://nyr.kr/xDdxKc

newyorker:

In Defense of Liz Lemon

Well, I can’t get on board the hate train, especially after last week’s tour-de-force episode, in which Liz morphed from a crazy old subway lady (every New Yorker’s dream: she gets her way at every turn) into Heath Ledger’s Joker. Someone needs to speak up for the Lemon, and for the Fey. Because from the beginning Liz Lemon was pathetic. That was what was enthralling, and even revolutionary, about the character. Unlike some other adorkable or slutty-fabulous characters I could name, Liz only superficially resembled the protagonist of a romantic comedy, ready to remove her glasses and be loved. She was something way more interesting: a strange, specific, workaholic, NPR-worshipping, white-guilt-infected, sardonic, curmudgeonly, hyper-nerdy New Yorker. In the first episode, Jack nails her on sight as “a New York third-wave feminist, college-educated, single-and-pretending-to-be-happy-about-it, over-scheduled, undersexed, you buy any magazine that says ‘healthy body image’ on the cover and every two years you take up knitting for … a week.” Even Liz had to admit he scored a point.

- There’s been a backlash to “30 Rock” this season, particularly the character of Liz Lemon; which is why you should read the rest of Emily Nussbaum’s impassioned 1,700-word defense of her: http://nyr.kr/xDdxKc



Source: newyorker.com

22nd February 2012

Video reblogged from The New Yorker with 357 notes

newyorker:

The Art of the Meryl Streep Acceptance Speech

But the real reason I’m in the tank for Streep is simple: I want to see her acceptance speech. The Meryl Streep acceptance speech is an art unto itself: elegant, loopy, cunningly self-aware, and impeccably delivered—in short, everything you expect from a Meryl Streep performance, condensed to three minutes. Where else can you see fake humility, fake gratitude, and fake spontaneity delivered with such aplomb? Take her 2004 Emmy win, for “Angels in America”:

From her trademark breathy sigh (translation: “Gee, they just keep giving me these things”) and her droll opening line—”There are some days when I myself think I’m overrated … but not today”—this speech is a gem: funny, faux-scatterbrained, and self-consciously grand. When the orchestra tries to play her off, not only does she sing along to the music, she uses it as inspirational underscoring as she thanks Tony Kushner.

- Michael Schulman on the history of Meryl Streep acceptance speeches, and why she should win the Oscar for “Iron Lady”: http://nyr.kr/xEteYM 

Source: newyorker.com

14th February 2012

Photo reblogged from Telegrams from Downton with 146 notes

Source: telegramsfromdownton

14th February 2012

Photo reblogged from Telegrams from Downton with 29 notes

Source: telegramsfromdownton

14th February 2012

Photo reblogged from Ladies Eating Burgers with 18 notes

how cool are these shoes?

how cool are these shoes?

Source: whatthehipster

7th February 2012

Photo

2nd February 2012

Photo reblogged from Telegrams from Downton with 285 notes

HAHAHAHAHAHAHAHA

HAHAHAHAHAHAHAHA

Source: telegramsfromdownton

26th January 2012

Photoset reblogged from The Use of My Creation with 8 notes

conjunctionofplanets:

also, these dresses.

Source: conjunctionofplanets